Joachim Wtewael

1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).


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Joachim Wtewael Lot and His Daughter oil


Lot and His Daughter
Painting ID::  29107
Lot and His Daughter
mk65 Oil on copper 6x8"
mk65 Oil_on_copper 6x8"
   
   
     

Joachim Wtewael The Judgement of Paris oil


The Judgement of Paris
Painting ID::  43077
The Judgement of Paris
mk170 1615 Oil on oak 59.8x79.2cm
mk170 1615 Oil_on_oak 59.8x79.2cm
   
   
     

Joachim Wtewael Mars and Venus Discovered oil


Mars and Venus Discovered
Painting ID::  79238
Mars and Venus Discovered
between 1603(1603) and 1604(1604) Medium Oil on copper Dimensions Width: 15.5 cm (6.1 in). Height: 20.2 cm (8 in). cyf
   
   
     

Joachim Wtewael the Gods-Joachim Wtewael oil


the Gods-Joachim Wtewael
Painting ID::  80638
the Gods-Joachim Wtewael
between 1603(1603) and 1604(1604) Medium Oil on copper cyf
   
   
     

Joachim Wtewael Kitchen Scene oil


Kitchen Scene
Painting ID::  81845
Kitchen Scene
1605(1605) Medium Oil on canvas cyf
1605(1605) _ Medium_Oil_on_canvas _ cyf
   
   
     

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     Joachim Wtewael
     1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).

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